Notes on "Architecture from the outside" - part 1
Notes from Introduction
xix
The book asks the question: How can we understand space differently, in order to organize, inhabit and structure our living arrangements differently? It proposes two direction in searching for an answer: first in the direction of time, duration, or temporal flow, which is usually conceptualized as the other, the outside, or the counterpart of space. My central argument throughout is that architecture, geography, and urban planning have tended to neglect or ignore temporality or to reduce it to the measurable and the calcuable, that is, to space. It is central to the future of architecture that the question of time, change and emergence become more integral to the process of design and construction. [Second question regards a search in the direction of sexuality and sexual specificity]
Notes from Embodying Space
p7.
Deleuze's idea may be useful not simply for rethinking the static or fixed plan, but also for addressing questions about what happens to a structure one it already exists. After it is built, structure is still not a fixed entity. It moves and changes, depending on how it is used, what is done with and to it, and how open it is to even further change. What sorts of metamorphoses does structure undergo when it's already there? What sorts of becomings can it engender? These kinds of issues cannot simply be accommodated or dealt with by plan or blueprints.p12
Deleuze points to really interesting questions about technology. For example, his writings on virtuality have a certain resonsance with the field of architecture, which is interested not just in technological incorporation but also in the openness of building to futurity or virtuality. Not simple virtual technologies, but virtual buildings...This work may involve focusing on Deleuze's reading of Bergson's conception of virtuality. The possible is an already preformed version of the real. The transition from the possible to the real is a predictable one, not involving anything new or unexpected. The relationship between the virtual and the actual is one of surprise, for the virtual promises something different to the actual that it produces and always contains in it the potential for something other than the actual. Bergson is in effect a theorist of virtuality, of the openness of the future to what befalls it. This idea could be highly productive for architecture, a discipline primarily concerned with space. Architecture considers time as historical time, or past time, but it has never really thought a c concept of futurity....The virtual encompasses much more than the technological: indeed, it is the condition of the possibility of technology. It is the very condition of life, and historical development, the very milieu of technological development.p18
While some think of cyberspace as a world of their own, which is the fantasy of autogenesis, a sort of Frankenstein fantasy of building a body or an entire world, many women working in cyberspace - producing art or writing - have never had that fantasy. What they see instead is that computer technology provides a space, an opportunity, a promise, of the possibility of working and producing differently. It is an incredibly effective tool - something that speeds everything up, makes it look shiny, gives it a polished look, yet it also transforms how we can work. This is quite different from (and considerably more modest than) the idea of its producing another world, or the simulation of this world....Much of the appeal that cyberspace holds fur those of us outside the field of fiction is simply practical: the technology enables just o do interesting things quickly and simply.p20
Q. You have used in the past Roger Caillois' construction of psychoasthenia - a depersonalization by assimilation in space.p21
A. There is certain joy in our immersion in space. It is important to recognize that you can attain a certain (temporary) depersonalization and still enjoy it, enjoy the expansion and permeability of bodily boundaries...The spaces of the mall, ironically, are for many people precisely the spaces of the most intense pleasure. It is not simply the pleasure of consumption and acquisition, but also a certain pleasure in the spectacle and community interactions.
Psychasthenia occurs when the boundaries of personal identity are collapsed and the subject is no longer able to distinguish what is inside from what is outside, what is self and what is other. It is clearly a very disturbing and debilitating psychical disorder. Cyberspace does not in itself induce psychosis or psychasthenia: one requires a certain bodily and conceptual cohesion to even enter cyberspace with all its apparatus and equipment.p24
This [cyberspace] can't be your only space. This computerized or virtual space is always housed in side another space - the space of bodily dwelling. You can't be in a computer space unless you're also in another space [but for how long?]. This is why it's always only augmentational.Grosz, E. A. (Elizabeth A.) Architecture from the outside : essays on virtual and real space. Cambridge, Mass. : MIT Press, c2001.

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